A nostalgic look back on 2000 Subway Series through the lens of New York’s citizens – one year before the 9/11 tragedy – and highlights a community forever-changed in the 20 years since, all the way to its unique present-day climate.

Sin Ae has been struggling with cancer for ten years now. Once again, she ends up being hospitalized for treatment. She starts sharing a hospital room with another girl who is looked after by her boyfriend. Little by little, the boyfriend begins to show interest to Sin Ae.

An unprecedented look at the FBI's New York field office.

An already-busy police force are facing not only a wave of recent inner crime but now face a psycho who kills women in one of the multiple lines of the Mexico City Metro.

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Oh Ye Ji is an art student who dreams of becoming a ceramic artist. She heads to school in Yangpyeong as both a student and a teacher, where she meets brothers Seo Hwan and Seo Jin. Hwan, who is Ye Ji’s student, falls in love with her and takes her to his father’s workshop to confess his feelings. However, at the workshop, Ye Ji meets Jin. Although Jin is aware of Hwan’s feelings toward Ye Ji, Jin does not hesitate to win over Ye Ji’s heart and eventually gets engaged to her. Overnight, those who are meant to be each other’s strongest supporters end up becoming the worst enemies thanks to a twist of fate. Straddling desire and love, the three struggle to figure out what’s right during the most beautiful time of their lives.

Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who

Quinn dissects the infamous New York character, variously describing them as rude, opinionated, pushy, loud, fast-talking, sarcastic, wise-assed, abrupt, rude-polite, and above all, politically incorrect. That last one’s not a surprise coming from Quinn, long a purveyor of the “everyone’s too sensitive” school of “tell it like it is” comedy. Fortunately, his curmudgeonliness is more good-natured than some of the more toxic practitioners of the form. Quinn’s grousing is more an affectionately exasperated head tilt than the full-on assaults that other comics launch against “PC culture”—sneering attacks at the likes of feminists, civil rights activists, and basically anyone who

Celebrating the cream of the New York rock scene, including classic performances from the Ramones, New York Dolls, Television, Blondie, Lou Reed and more. 01.New York Dolls - Jet Boy (Nov 1973) 02.Patti Smith Group - Horses (May 1976) 03.Talking Heads - Psycho Killer (Jan 1978) 04.Television - Foxhole (May 1978) 05.Ramones - Don't Come Close (Sep 1978) 06.Blondie - I'm Alway Touched By Your Presence Dear (Mar 1978) 07.Lou Reed - Waiting For The Man (Dec 1984) 08.John Cale - Dying On The Vine (Dec 1985) 09.Sonic Youth - Sugar Kane (Dec 1992) 10.Patti Smith - Because The Night (Apr 2002) 11.Lou Reed - Perfect Day (May 2003) 12.John Cale - Venus In Furs (Oct 2003) 13.David Byrne - This Must Be The Place (May 2004) 14.Antony And The johnsons - Hope There's Some One (Jun 2005) 15.The Strokes - Last Nite (Jun 2006)

English-language spin-off from the South Korean zombie film Train to Busan, depicting the outbreak in New York.